How the Livingstone International Cultural and Arts Festival turned a colonial-era gateway town into a regional cultural crossroads across the decades.
Section
Lifestyle
Before the Current Boom: Reconstructing Zambian Languages in the Digital Age
Zambia’s languages carry its oral history and knowledge, yet stayed absent from digital tools until open Bemba speech datasets began to close the gap.
The Historical Architecture of Music, Festivals and Zambia’s Live-Entertainment Economy
How Zambia’s music moved from church, township and traditional roots to a festival, streaming and sponsorship-driven live-entertainment economy.
The Part of Event Professionalism Nobody Books Until It Goes Wrong
Zambia is winning bids for continental conferences on a promise of world-class standards. The least glamorous test of that promise is whether the venue is clean before the doors open and after they close.
Zambian Film and the Rise of ZAMIFF: The Past That Explains the Present
Zambian film was long held back by finance, distribution and infrastructure. How ZAMIFF’s rise and content-market ambition answers that inheritance.
Six Steps to Build an Event Cleaning Crew That Answers to a Run Sheet
Headcount does not make an event cleaning crew; timing, zones and a named lead do. A six-step plan for building one around the run sheet, as Zambia bids for bigger events.
How Traditional Ceremonies as a National Cultural Network Became a Zambian Strategic Asset
How Zambia’s dozens of traditional ceremonies, from Kuomboka to Likumbi Lya Mize, became a coordinated national network and strategic cultural asset.
From Luvale initiation, masked performance and the cultural institutions of the Mize to the Present: Likumbi Lya Mize and the Makishi Tradition
From Luvale initiation and the Mize capital to national prominence: Likumbi Lya Mize, the Makishi masquerade, and Zambia’s intangible heritage.
The Long History Behind Kuomboka as Cultural Economy
The long history behind Kuomboka: how the Lozi kingdom’s seasonal flood movement became one of Zambia’s most valuable cultural-economy assets.